

Yeah, I actually MISS intros on shows that don’t have them. I forget when in the 2000’s or 2010’s they started that, but it aggravated me almost as much as the cutback from 20+ episodes a season to fewer.
Yeah, I actually MISS intros on shows that don’t have them. I forget when in the 2000’s or 2010’s they started that, but it aggravated me almost as much as the cutback from 20+ episodes a season to fewer.
I ALWAYS skip enterprise, I never skip the others.
I get that they were trying for something different, I can even appreciate using a folksy ballad that doesn’t have all is the “formality” of classical music the same way Starfleet of the time doesn’t have all the formality of later treks. I even personally find it to be a cool idea on paper, but for some reason it just didn’t land with me.
It’s jarring when it SHOULDN’T be. Even the closing credits get a "WhoOoAawhatthefuuuuOh."reaction out of me every time the music starts. Like, it takes until almost the fourth note on the credits before I go "oh yeah, they do this.
I still watch the credits, though.
That kid’s acting was award-worthy. He NAILED the O’Neill persona.
I’m working to overcome a particularly troublesome piece of technology right now and enjoying a cold, refreshing, Diet Dr. Pepper, so I guess the sentiment stands.
It’s interesting because I didn’t really like Janeway a ton until her first interaction with Q. Like, there was nothing outright bad about Mulgrew’s portrayal, I just wasn’t completely and totally sold on the character yet from a writing perspective.
Something about a captain interacting with an omnipotent being really seals something for me personally, because Sisko’s interaction with Q was what sold me on him right away, too.
I enjoyed Gibney as Benteen, so I’m sure it would have worked out, it just would have been…different.
New kinds of water, you say? The marketing department is already on it and boy have I got news for you!